I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
I wrote
The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
This is a groundbreaking book from 1973 that identified particular stereotypes into which Hollywood has pegged Black characters since the advent of cinema.
It established recurring character types that I expanded upon in my book and tailored to the horror genre. Told in a witty and personal manner, it is undoubtedly one of the classic texts of Black film criticism from one of the most notable figures in the field.
This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars…
Another pioneering work, this 1977 book was written during the late “Blaxploitation” film movement, but rather than focus on that era, it looks back at the first half of the 20th century, during the foundation of Hollywood as a filmmaking industry, to detail the harrowing trials and tribulations that Black performers had to endure.
With a scholarly yet accessible approach, this book drums home the fact that cinema—and American society as a whole—is not that far removed from slavery, as evidenced by Black portrayals in popular films like Uncle Tom’s Cabinand The Birth of a Nation. Like Bogle, Cripps is a legend in the field of Black film studies.
Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film-both before and behind the camera-from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations…
While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.
Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.
Even if you don’t agree with its assertions, the book provides fascinating food for thought.
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in…
This is a sweeping epic of a book and should be required reading for any student of film history.
Told in a manner that is at once intimate and authoritative, it reads like both a textbook and a biography, detailing the lives of a series of historical figures as a means of relating the history of the Black image in film.
In doing so, Haygood contextualizes the cinematic developments of the past by placing them alongside the social and political developments of the time, showing that you can never truly separate fact from fiction.
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR
“At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland
This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism…
This is a large, gorgeous work that comes off as part textbook and part coffee table book.
It carries an air of officiality, serving as the official companion piece to the exhibition of the same name displayed at the Academy Museum of Motion Pictures in Los Angeles. Not a page goes by without a dazzling image or an intriguing story from the history of Black representation in Hollywood. It features a wide range of content, from essays to case studies to glamor portraits, movie poster galleries, filmographies, chronologies, and interviews.
If you can’t make it to LA to view the dazzling exhibit in person, this is as close as you can get.
The overlooked yet vibrant history of Black participation in American film, from the beginning of cinema through the civil rights movement
From the dawn of the medium onward, Black filmmakers have helped define American cinema. Black performers, producers and directors―Bert Williams, Oscar Micheaux, Herb Jeffries, Lena Horne, Dorothy Dandridge, Ruby Dee and William Greaves, to name just a few―had a vast and resounding impact. Black film artists not only developed an enduring independent tradition but also transformed mainstream Hollywood, fueled and reflected sociopolitical movements, captured Black experience in all its robust complexity, and influenced generations to come. As harrowing as…
A definitive and surprising exploration of the history of Black horror films, The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby and Night of the Living Dead to the Oscar-winning cinematic heights of Get Out and beyond.
This eye-opening and playfully tongue-in-cheek book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act to Martin Luther King Jr.’s assassination.
"an intense narrative of family and intangible inheritance. . .this novel unfolds like a fragrant, steeped tea." -Chanticleer Book Reviews, 5 Stars
"like a glorious sunrise, we are gifted the 'après,' the hope and goodness of 'after me.'" -Maria Giuseppa, author of R&R: A Feast of Words
A man in France receives a package from America containing an autobiographical manuscript relating the events of a summer long ago.
When Ellande and Madeleine-Grace visit the family summer house on the Alabaster Coast of Normandy for the first time without their parents, they find themselves growing aware of the importance of their…
A man in France receives a package from America containing an autobiographical manuscript relating the events of a summer long ago.
When Ellande and Madeleine-Grace visit the family summer house on the Alabaster Coast of Normandy for the first time without their parents, they find themselves growing aware of the importance of their parents' choices in raising them. Under the care of their beloved Aunt Adèle, they explore their heritage and what their parents stood for while determining the value of customs and traditions of both family and France's stunning Pays de Caux. In the face of cruelty, carelessness, and…
